Sunday, July 28, 2013

The 7th August POetry POstcard Fest Begins Today!

While the final list will go out in 4 days, the majority of participants have received the list of (so far) 243 poets! This is a huge increase from last year, which delights us.There are poets from Alabama, Alberta, Arizona, Australia, British Columbia, California, Colorado, Connecticut, Florida, France, Georgia, Germany, Hawaii, Illinois, Indiana, Kansas, Kentucky, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Mumbai, New Jersey, New Mexico, New York, Oklahoma, Ontario, Oregon, Pakistan, Pennsylvania, Quebec, South Carolina, Tennessee, Texas, United Kingdom, Virginia, Washington, Washington D.C., and Wisconsin.

So, one you get the list, look for your name, write three original poems directly onto the postcards to the 3 people on the list below your name. (If you are near the bottom, send a card to anyone below you then start again at the top.) Ideally, you would write 3 different short poems -- remember they are being composed on a postcard and please keep your handwriting clear. (If you start with folks outside your country, you may want to start sending poems early…)

What to write? Something that relates to your sense of "place" however you interpret that,
something about how you relate to the postcard image, what you see out the window, what
you're reading, a dream you had that morning, or an image from it, etc. Like "real"
postcards, get to something of the "here and now" when you write. Present tense is
preferred... Do write original poems for the project. Taking old poems and using them is
not what we have in mind. Letting a card linger for a while before you respond to the next
person on your list is cool.

Key links: http://paulenelson.com/2013/07/20/how-to-write-a-postcard-poem-10-steps/

http://changeorder.typepad.com/weblog/2010/08/sending-postcards-to-strangers.html

http://paulenelson.com/2012/08/29/2012-august-poetry-postcard-fest-afterword/

http://paulenelson.com/wp-content/uploads/2013/06/Postcard-Exercise.pdf

and the Facebook page: https://www.facebook.com/groups/17361938720/

Please allow a MONTH after mailing your postcard before posting your own postcard poems online. Once you GET a poem, do what you wish, but check with the poet if possible before publishing their poem.

See you at the mailbox.

Saturday, July 27, 2013

Taking advantage of the weekend to get a jumpstart on the August poems.  Plus next week is going to be busy with evening classes, projects due, AND the retirement seminar Monday through Thursday.  But all in all, should make for good poetry!    

Wednesday, July 24, 2013

From Paul Nelson

How To Write a POstcard POem (10 Steps)
by SPLABMAN on JULY 20, 2013 · 1 COMMENT

I’ve jumped the gun on the August 2013 Poetry Postcard Fest and I encourage you to do the same. Yes, there’s already a primer on how to write the postcard poem (see this) but I have taken this to be my process over the last couple of years and wanted to share it as one might do a recipe. This might work for you. Consider.

1. Think intuitively about whose work (what poet) you’d like to spend more time with. Get that book and start reading from the beginning. Or, you might want to open to a page at random. Find a phrase that strikes you, that has energy for you. For me so far this year it’s been Maria Baranda, the poeta Mexicana, from the Copper Canyon anthology, Reversible Monuments.

2. Find a card. You should have a stash of them. As confessed previously, I am a postcard whore. I am attracted to them beyond all common sense. I want to buy them whenever I see them, even cheap tourist cards like the ones I saw at 3rd & Union in downtown Seattle yesterday by the post office. Cheap, yes, but inexpensive too and there are new shots of Seattle since we built stadiums and put up a ferris wheel.

3. You got the card and you got the quote, write it in. I start with the date, where I am, the person to whom I am writing and then the quote. I always start with the address and then start writing the poem, which is going to one person, the person to whom I am addressing the poem – literally – in two ways. This then, is an epistle. Sometimes a confession. Sometimes the image on the front of the card has nothing to do with the content. (Sometimes I do not recognize the link right away.) Sometimes it’s an ekphrastic based on the card’s image. Our family’s poverty at this time is at the top of my mind and our sense of humor in dealing with it as well as the revelations one gets when you have to improvise and can’t just spend money as usual. I mean we are broke.

4. Start writing the poem. You’ll get a hit from the phrase, from the person’s home town (a person on the list is from Austin, TX and I thought about Stevie Ray Vaughn) and maybe from the card’s image. In one case the postcard had a title and I just used that for my title as well. You’ll get another source of potential inspiration when cards start arriving in August during the fest. You can’t get too much on a roll with any postcard poem because it’s a postcard and space is limited. You might find that the space limitations make for some interesting linebreaks and rhythms (See below.) Postcards usually have something to do with the here and now anyway, like Jimmy Buffet said: “The weather is here, I wish you were beautiful.”

5. Document. Sure, these are poems that are to be sent out, but I keep a document file, scan the front of the card, insert the scan into the document and try to get all the line breaks right on the document version. Sometimes I have to compose around printing, but I never duplicate the printed words already on the card, such as the explanation of the scene, or photography credit, onto the document which is my archived version (facsimile) of the poem. That usually leaves weird indents and other features on the documented version which I love. Like Michael McClure, I hate what he calls: “Lawnmower Poetry”  - that which starts on the left hand margin and goes to the right, then starts again. Ugh. Have some imagination for the good lord’s sake! Or mow a real lawn.

6. Record. I like an audio version and have come to putting that on the online post I make of each postcard poem. I often use SoundCloud, but they have no “schedule” feature and I do not want anyone getting a heads-up before they’ve received the poem, so I upload and schedule the post for a month down the line. For people outside North America, that may be 3 months.

7. Post. Like past year, I am posting all poems. I have come to making them photo files. Jing is a great screen grab program and I like having the linebreaks done perfectly. This is the best system using WordPress I can figure. Why can’t some techhead figure out how to do poetry’s linebreaks justice on screens?

8. Stamp and Mail. Out of the country requires more postage, remember. Canada is another country despite Walt Whitman’s best efforts.

9. Write again tomorrow. I can use the previous days template by duplicating it and writing over it, adding the new scan and voila! I am ready for tomorrow.

10. Wait for cards to arrive, read them and use them for inspiration for the cards you write after that.
An updated list hit my inbox late late night.  243 participants so far.  Wow, this is going to be such a blast! Also just received notification that my 20th Century Poets postage stamps have shipped. And you know what happens in September after the post card fun of August?  ModPo II!  Coursera is what's happening y'all!

Sunday, July 21, 2013

A visit home last weekend and consultations with the elders inspired this poem about my great great grandfather, Dick Rankin.

https://www.facebook.com/notes/raymond-maxwell/a-poem-about-grandpap-dick-rankin/10151694492028503

Saturday, July 20, 2013

July 20, 2013

Part 1.   Invitation (inspired in large part by Gertrude Stein’s “Idem the Same – Let Us Describe”)
                “I knew too that through them I knew too that he was though, I knew too that he  threw them.  I knew too that they were through, I knew too I knew too, I knew I  knew them.”  
                “If you can see why she feel that she kneels if you can see why he knows that he shows what he bestows, if you can see why they share what they share, need we  question that there is no doubt that by this time if they had intended to come they would have sent some note of such intention.”
                Many others did go and there was a sacrifice, of what shall we, a sheep, a hen, a cock, a village, a ruin, and all that and then that having been blessed let us bless  it.”     - Stein                                                                                                             

The Queen’s Henchmen
request the pleasure of your company       
at a Lynching – to be held 
at 23rd and C Streets NW
on Tuesday, December 18, 2012 -
just past sunset.     
Dress: Formal, Masks and Hoods -
the four being lynched
must never know the identities
of their executioners, or what/
whose sin required their sacrifice.
A blood sacrifice –
to divert the hounds -
to appease the gods -
to cleanse our filth and
satisfy our guilty consciences.
Arrive promptly at sunset –
injustice will be swift.
There will be no trial,
no review of evidence,
no due process, and
no accountability.
Dress warmly -
a chilling effect will instantly
envelop Foggy Bottom.
Extrajudicial.
Total impunity at the top.
A kangaroo court in
a banana republic.
B.Y.O.B.
Refreshments will not be served
because of the continuing resolution.
And the ones being lynched?
Who cares?  They are pawns in a game.
Our game.  All suckers, all fools,
all knaves who volunteered to serve.
Us.  And the truth?  The truth?
What difference at this point does it make?
In case of inclement weather,
or the Queen’s incapacitation,
the Queen's Henchmen will carry out 
this lynching - as ordered, as planned.

 
Part 2.  The Aftermath (inspired in part by Basara’s “The Cyclist Conspiracy”)
                “The top of the pyramid – the organization is composed of Technologists who  only pretend to have power, although they are only actors in the theater of mirrors.  When the mirror is broken they die, because the internal drive of their  actions vanishes.”    --Svetislav Basara
Trapped in a purgatory
of their own conceit…
 
The web of lies they weave
gets tighter and tighter
in its deceit
until it bottoms out -
at a very low frequency -
and implodes.
It may be just a matter of perception –
they can’t undo their wrongs
for fear it’d undermine their
perceived authority –
an authority they think they require
to stay in charge.
Yet all the while,
the more they talk,
the more they lie,
and the deeper down the hole they go.
There’s nothing I need to go back to -
nothing to re-litigate -
nothing to defend -
and certainly nothing to prove
to the unworthy.
Just wait…
just wait and
feed them rope.
 
Part 3.  The Wizard

The wicked witch of the East?
The old, decrepit, ancient East?
She dead.  House fell on her ass
During the storm.  Feet all shriveled up.
That witch ain’t going nowhere!
Ain’t gon bother nobody!
But the wicked witch of the West?
The new, modern, amoral West?
She’s alive and kicking.
Causing all kinds of trouble.
Done signed a deal with the Wizard.
The lying Wizard.

Dorothy has her hands full with those two.
And the lion ain’t got no courage.

Part 4.  The Heat of Battle
I am feeling the heat of battle and tasting
its harsh bittersweetness. Still on track,
other things fall through the cracks of space
and time. But Poetry remains, a jealous mistress,
after all, a possessive lover without gender who
demands every gram of attention and devotion.
“Forget any other dedication, any outside legal 
or moral obligation,” Poetry warns,
“and ignore that silly wench you call your Muse!”
Poetry screams, “Be with me alone!”
And you accommodate, first haltingly,
reluctantly, then eagerly, anxiously
as you become narcotized by, then addicted
to the sweetness of stolen waters.

Part 5.  Letter to Walt
Dear Walt:
I seem to recall we met,
in the future, in the past, or in a dream -
maybe deep down in engineroom lower level,
repairing a valve or calibrating a gauge
on an obscure hydraulic line;
or maybe on the bridge,
transiting the Strait of Gibraltar,
the Strait of Bonifacio, or the Strait of Messina;
or maybe having a smoke on the fantail
while the ship rounds the Cape of Good Hope,
Cape Horn, or Ras Kasar.
The physical place is less important
than the metaphysical space we share:
lonely, tired, perplexed, distressed,
missing loved ones;
lonely, tired, perplexed, distressed,
surrounded by loved ones

seeking refuge from war’s alarm,
whether fighting on distant battlefields,
or negotiating in hostile boardrooms,
far or near, seeking refuge from war
and the rumors of war,
seeking peace.

We share the womb of America -
twin biracial souls within the same mother,
bouncing around in an aqueous environment.

Scandalized, scapegoated and heart-broken,
we forge forward together on this mystic trek,
guided by an unseen star in the Northern sky,
inspired by love, and hope, and steadfast faith.



 


Part 6.  Letter to Emily
Dear Emily:

The words we read,
the lines we write,
are gaps in time,
that soon take flight –
 
poetry has that property
transporting you through space –
we write a word and make a rhyme
and aim it to its place –

if accurate, we hit the mark,
we reach the goal we seek –
but if precise, we claim the prize,
and scale the highest peak –

the words and rhymes unwind, divide
with measured purpose, need –
then seek to replicate the thought
and shape the world of deeds –

The message in the poems we write
is free, yet hidden in plain sight.  



Part 7.  Reconciliation

1st quarto:  Man and the Expanding Universe: Truth

truth expands outward
yields right-of-way to falsehood
continues on its path
 
Maria do Santos Pittsylvania
is my avatar in Second Life
she is a pink body-suited android

and she knows how to dance Kizomba
her steps are pure poetry -
her smile - deliverance – truth

  
2nd quarto: Man and the Expanding Universe: Love

Love expands in space
Fills every crack and crevice
overcomes all hate -
 
Physicists say it’s not the universe
but space that expands – and material 
things spread out to fill the new space

if their internal energies allow it –  
love in the world wants to spread and
fill the expanding space – we gotta let it…

 
3rd quarto: Man and the Expanding Universe: Peace

the big bang of war
makes us fear that peace is far -
removed from our dreams.

yet peace is gaining critical mass each
moment that passes: its energy is spreading
diametrically, at an accelerating rate, and reasons

for war and conflict are shrinking, like fear
and greed, and the senseless need to dominate
others.  Let peace expand and grow.


4th quarto: Man and the Expanding Universe: Art

moral courage died
and corruption’s stench prevailed –
lies erased the truth -

my LinkedIn friends keep endorsing me
for Government.  But me and Uncle Sam

are a shrinking universe.  I’m leaving
the troop that errs, the team that lies,

leaders who destroy lives for sport, as art - 
themselves a crime, a sin, a plague.  Farewell. 

Wednesday, July 17, 2013

Received the beta list today, July 17, 2013.  #27 am I.  August is going to be a blast!  Check back often!  

http://poetrypostcards.blogspot.com/